A Temporada do Royal Ballet 21/22 Parte II - para portugues clique no menu de opções A new production of Swan Lake was created at the end of our 17/18 season. Although many elements of it still felt familiar, such as Tchaikovsky's music and Petipa's influences, it was the company's first new take on the classic for 30 years, and a huge responsibility for choreographer Liam Scarlett. This new version certainly didn’t make our jobs any easier, especially for the women. The danc

A temporada 21/22 do Royal Ballet (para português clique no menu de opções) With the end of our season fast approaching, I look back and realise just how busy we have been here at the Royal Opera House and how much has been accomplished amidst a pandemic, war, and everything in between. It feels like we got a bit of normality back, if you can call this life ‘normal’. Having paused for nearly a year and a half, the scale of work that we do in a full season has been a shock to

Three weeks ago, The Royal Ballet saw the end of its 20/21 season. As the curtains came down on our last performance, I felt a strange sense

Oh, how amazing it feels to open our house to the public! To have an audience in front of us and hear the sound of their applause. Even if

The last-minute arrival of a casting sheet causes a cluster of dancers to gather around the notice board in all eagerness. I try to squeeze

And so, it begins. That familiar voice on the tannoy is the dancers' wake up call, a reminder that the performance is approaching. All backs

My days of running from one ballet competition to the next have long become a thing of the past, but when I look into the eyes of young